Transcript for How Comics used laughter to gain equality
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>>> ABC FILMING TONIGHT, THEY'RE
DOING, LIKE, A DOCUMENTARY ON
BLACK PEOPLE IN LAS VEGAS.
AND IT DON'T GET NO BLACKER THAN
THIS RIGHT HERE.
I ENJOY BEING THE CATALYST FOR
PEOPLE TO FORGET THEIR PROBLEMS,
BEING ABLE TO BE THE PERSON CAN
MAKE THEM THROW THEIR HEAD BACK
AND LAUGH AND JUST RELEASE
ENDORPHINS INTO THE WORLD.
>> LAUGHTER IS HEALING FOR THE
SOUL.
AND I TELL YOU WHAT, IT'S THE
BEST MEDICINE IN THE WORLD.
THAT'S WHY THEY CALL ME DR.
WALLACE.
WHEN I STARTED THERE WAS ONLY 50
COMEDIANS MAKING MONEY IN THE
WORLD.
NOW THERE'S 50 ON EVERY BLOCK.
>> [ BLEEP ].
>> THERE WERE SOME PLACES IN THE
COUNTRY EARLY ON WHERE, IF A
BLACK PERSON WAS NOT IN
BLACKFACE, THEN YOU COULD NOT DO
YOUR COMEDY ROUTINE.
>> MINSTREL SHOWS WERE THESE
SHOWS THAT WERE CREATED TO
ALMOST MAKE WHITE PEOPLE FEEL
COMFORTABLE WITH BLACK PEOPLE
BEING ON STAGE.
OVER TIME WE SAW COMICS GO FROM
BEING THE BUTT OF THE JOKE AND
GETTING AWAY FROM THE MINSTREL
ACT AND REALLY THEN TELL JOKES
AND USING SOCIETAL ISSUES.
THE STRUGGLES OF THE TIME.
>> WE'RE FINDING A NEW WAY TO
EXPRESS OUR PROBLEM AND THE
WHITES ARE LAUGHING WITH US.
>> I LIKE TO SEE ANY BASEBALL
PLAYER HAVING TROUBLES.
THAT IS A GREAT SPORT FOR MY
PEOPLE.
THAT IS THE ONLY SPORT IN THE
WORLD WHERE A NEGRO CAN SHAKE A
STICK AT A WHITE MAN AND WON'T
START NO RIOT.
>> THE ABILITY TO TURN OUR PAIN
INTO HUMOR.
TO BE ABLE TO LOOK AT RACISM OR
SEXISM AND EVERYTHING AND LAUGH
AT IT INSTEAD OF JUST GOING
COMPLETELY BALLISTIC AS A COPING
MECHANISM.
>> WITH THIS NEW NEGRO HUMOR,
WHAT IS THE WHITE MAN LATCHING
ABOUT?
>> I THINK THE WHITE MAN IS
LAUGHING AT THE SAME THING A
PERSON LAUGHS AT WHEN THEY SLAM
THEIR HAND IN THE CAR DOOR AND
WHEN IT'S ABOUT TO HEAL, THE
PROBLEM IS ALMOST OVER.
AS MARTIN LUTHER KING SAID, JIM
CROW IS DEAD IN THE SOUTH, IT'S
JUST A MATTER OF HOW EXPENSIVE
THEY WANT TO MAKE THE FUNERAL.
>> YOU HAVE COMICS LIKE DICK
GREGORY THAT, IN ADDITION TO
WHAT HE WAS DOING ON THE STAGE,
HE WAS STAGING HUNGER STRIKES
AND HAVING VERY PUBLIC WAYS OF
PROTESTING.
BECAUSE IF I CAN DRAW AN
AUDIENCE AND YOU'LL CONSUME ME
AS A COMIC, THEN IF I TAKE A
MAJOR STAND AGAINST THE
INJUSTICES IN AMERICA, YOU'LL
ALSO PAY ATTENTION TO THAT AS
WELL.
>> EVERYBODY WANTS TO COME TO
VEGAS.
THE FLIGHT TO LAS VEGAS CAN BE
ONE OF THE MOST EXCITING FLIGHTS
YOU'VE EVER BEEN ON.
THE FLIGHT LEAVING LAS VEGAS?
♪ OH MM ♪
A TOMB.
MOTHER [ MUTED ] DON'T EVEN WANT
TO [ MUTED ].
>> THERE WAS A TIME IN LAS VEGAS
WHERE YOU HAD COMICS LIKE
RICHARD PRYOR, WHO HAD
HEADLINING GIGS.
>> RED FOX FIRST WENT TO LAS
VEGAS IN 1960.
TEN YEARS LATER IN 1970, HE
LANDED HIS FIRST RESIDENCY AT
THE SAHARA HOTEL.
THEY OFFERED HIM $960,000 TO
PLAY 32 WEEKENDS IN A YEAR.
KNOWN 78, RED FOX RECORDED THE
ON-LOCATION SHOW WHERE HE PLAYED
HIS COMEDY FOR A PACKED
AUDIENCE.
>> THE CAT LOVERS HATE ME.
PEOPLE NEED DOGS TODAY.
SEE, WHEN A BURGLAR COME TO YOUR
HOME AND HEARS MEOW, MEOW, BREAK
RIGHT IN.
GET YOU A DOBERMAN THATMY YOS.
>> RED FOX HAVING HIS OWN
RESIDENCY IN VEGAS PAVED THE WAY
FOR COMEDIANS LIKE GEORGE
WALLACE TO NOT ONLY HAVE HIS OWN
RESIDENCY, BUT GEORGE OWNED HIS
OWN RESIDENCY.
>> ANYBODY EVER BEEN TO AFRICA?
ANYBODY WANT TO GO TO AFRICA?
I'MA TELL YOU HOW TO GO TO
AFRICA, WON'T COST YOU TOO MUCH
MONEY.
YOU CALL DELTA AIRLINES, OKAY?
THEY'RE GOING TO FLY YOU TO
ATLANTA.
YOU WON'T KNOW THE DIFFERENCE.
I CAME HERE IN 2004 FOR 30 DAYS.
AND ALL OF A SUDDEN, IT TURNED
INTO 10 YEARS AT THE FLAMINGO
RIGHT DOWN THE STREET, THE FIRST
HOTEL ON THE STRIP.
THE PRESIDENT OF THE HOTEL SAYS,
"YOU AIN'T GOING NOWHERE."
I SAID, "WELL, I'LL HAVE TO TAKE
OVER EVERYTHING IF I WANT TO DO
THIS."
>> I WAS IN CHICAGO THREE WEEKS
AGO, SO COLD IN CHICAGO
BASKIN-ROBBINS WAS SELLING SOUP.
>> 750 AT THE FLAMINGO.
WE PACKED THAT PLACE EVERY
NIGHT.
ALL ENTERTAINERS LOVED WHAT I
DID.
OWNING THE SHOW, DIRECTING THE
SHOW.
I DID ALL THE MARKETING, I DID
ALL THE ADVERTISING.
THEY STARTED CALLING ME THE NEW
MR. VEGAS.
GIVING AWAY CARS, TRYING BE LIKE
OPRAH.
OH MY GOODNESS, CRUISES.
>> I TRIED TO BE THE NEXT BLACK
WOMAN IN LATE-NIGHT TELEVISION.
VEGAS IS A VERY HARD NUT TO
CRACK.
I DON'T PRETEND TO KNOW WHY
JIMMY KIMMEL SAID YES TO ME.
THE PEOPLE WHO PULL ALL THE
STRINGS IN LAS VEGAS ARE NOT THE
SAME COLOR AS I AM.
WE NEED TO GET MORE PEOPLE OF
COLOR IN THE EXECUTIVE
POSITIONS.
>> LET ME TELL YOU WHY THERE'S
NOT MORE BLACK-OWNED COMEDY
CLUBS.
BECAUSE THERE'S A MONOPOLY OUT
THERE, OKAY?
OUT OF THE 100 CLUBS OUT THERE,
THERE'S ONLY THREE OR FOUR
OWNERS IN LAS VEGAS, ALL THESE
HOTELS.
YOU SCREW UP IN ONE, BOOM,
YOU'RE GONE.
THANK GOD FOR RED FOX, LENA
HORN, DIANA, ALL THOSE YEARS,
PAVING A WAY FOR ME TO COME IN
AND WORK A STAGE AT THE
FLAMINGO.
>> I THINK THEY WOULD BE HAPPY
THAT THERE WAS SOMEBODY THAT WAS
CARRYING ON THE TRAIL THAT THEY
BLA
BLAZED.
I THINK THEY WOULD SEE LITTLE
BITS OF SOME OF THEMSELVES IN
ME.
BECAUSE I TAKE A LITTLE BIT FROM
THE LEGENDS.
>> IT HAS BEEN BROUGHT TO MY
ATTENTION THAT YOU PEOPLE IN THE
BACK CAN'T REALLY SEE ME WELL
WHEN I SIT DOWN.
SO WHAT HAVE WE LEARNED?
GET YOUR T
This transcript has been automatically generated and may not be 100% accurate.